ON the whole, I’m proud to be a gardener. My carbon-offsetting tree planting rivals that of an oil executive. Growing fruit and vegetables eliminates food miles and saves artic-loads of single-use plastic. But how I get there matters, too. I want to garden without guilt, leaving no trace—no whiff of petrol, no wrecked habitats, no scrappy broken plastic. The old habits have to go.
Ditching the lawnmower was easy: I never was a fan of the Saturday-morning mowing ritual anyway. If you have a large lawn, it sucks up too much gardening time, but now there’s a good excuse not to submit to such slavery.
When grasses grow long, they provide habitat for all sorts of tiny creatures, from ground beetles to solitary bees, and you suddenly discover how many nectar-rich wildflowers (previously known as weeds) are lurking beneath the sward, waiting to pop up and surprise you. Goodness, bees and butterflies do love a dandelion.
Mowing paths down the side and clearings into the middle reminds you it’s still a garden (and takes a fraction of the time); one big cut, usually done in August, will keep more thuggish weeds at bay. My lawn, if that’s what it is now, is now full of flowers; I am hoping, one day, for orchids.
I’m also evicting the plastic. Wooden seed trays (I bought mine for a pound a piece on eBay from a chap called Andy in north Wales) are as easy to use as plastic, as are clay pots and Vipots, made of rice hulls. Single-use biodegradable pots, buried with your plants, take minutes to make from newspaper or cardboard, but it’s quicker to buy fibre pots, made from wood pulp or compressed cardboard.
هذه القصة مأخوذة من طبعة May 20, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة May 20, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Save our family farms
IT Tremains to be seen whether the Government will listen to the more than 20,000 farming people who thronged Whitehall in central London on November 19 to protest against changes to inheritance tax that could destroy countless family farms, but the impact of the good-hearted, sombre crowds was immediate and positive.
A very good dog
THE Spanish Pointer (1766–68) by Stubbs, a landmark painting in that it is the artist’s first depiction of a dog, has only been exhibited once in the 250 years since it was painted.
The great astral sneeze
Aurora Borealis, linked to celestial reindeer, firefoxes and assassinations, is one of Nature's most mesmerising, if fickle displays and has made headlines this year. Harry Pearson finds out why
'What a good boy am I'
We think of them as the stuff of childhood, but nursery rhymes such as Little Jack Horner tell tales of decidedly adult carryings-on, discovers Ian Morton
Forever a chorister
The music-and way of living-of the cabaret performer Kit Hesketh-Harvey was rooted in his upbringing as a cathedral chorister, as his sister, Sarah Sands, discovered after his death
Best of British
In this collection of short (5,000-6,000-word) pen portraits, writes the author, 'I wanted to present a number of \"Great British Commanders\" as individuals; not because I am a devotee of the \"great man, or woman, school of history\", but simply because the task is interesting.' It is, and so are Michael Clarke's choices.
Old habits die hard
Once an antique dealer, always an antique dealer, even well into retirement age, as a crop of interesting sales past and future proves
It takes the biscuit
Biscuit tins, with their whimsical shapes and delightful motifs, spark nostalgic memories of grandmother's sweet tea, but they are a remarkably recent invention. Matthew Dennison pays tribute to the ingenious Victorians who devised them
It's always darkest before the dawn
After witnessing a particularly lacklustre and insipid dawn on a leaden November day, John Lewis-Stempel takes solace in the fleeting appearance of a rare black fox and a kestrel in hot pursuit of a pipistrelle bat
Tarrying in the mulberry shade
On a visit to the Gainsborough Museum in Sudbury, Suffolk, in August, I lost my husband for half an hour and began to get nervous. Fortunately, an attendant had spotted him vanishing under the cloak of the old mulberry tree in the garden.