THE stone that, in 1769, Franz Michael Diespach set among cascades of brilliant-cut diamonds for Frederick Augustus III of Saxony was the largest, most beautiful green diamond in the world: the 41-carat Dresden Green. The elector wore the glittering brooch in his hat.
Brooches have glamour. They are visible and conspicuous, as became clear in the recent response to the spider-shaped brooch worn by a black-clad Baroness Hale the day she delivered the Supreme Court’s verdict on parliamentary prorogation. Within 48 hours of Lady Hale’s verdict, a fashion-data website reported more than 400 online articles and social-media posts about it. Inevitably, the fashion fraternity hailed the return of the brooch.
Well, up to a point, Lord Copper—as Mr Salter invariably responds to his formidable employer in Evelyn Waugh’s Scoop when his agreement is anything but wholehearted. For a handful of prominent women—The Queen, Queen Margrethe of Denmark and former US Secretary of State Madeleine Albright—the brooch never disappeared. For many other women, brooches play little or no part in their wardrobe. Once a staple, they are associated with a more formal style of dress and, undeniably, with former generations, a grandmotherly accessory. In the second decade of the 21st century, the number of ruling princes sporting jewelled hat badges has reached an all-time low.
Reactions to Lady Hale’s sparkly spider— more Hogwarts than court ball—suggest that the time has come to think again. ‘When things are thought fubsy and old-fashioned is the very moment when fashions change,’ explains doyen of jewellery experts Geoffrey Munn. ‘Once out, the brooch now has the opportunity to be very much in.’
هذه القصة مأخوذة من طبعة January 08, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة January 08, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
