There were, however, a number of significant pre-lockdown events. I take my hat off to Daniel Evans and everyone at the Chichester Festival Theatre, who mounted a number of musical evenings and gave us a live streaming of Sarah Kane’s Crave.
The more you think about it, the more extraordinary this seems. Kane was an innovative dramatist who, in her short life (she died in 1999, aged 28), wrote a number of plays, including Blasted, Cleansed and 4.48 Psychosis, that extended the boundaries of naturalistic theatre. She would seem to be the antithesis of everything Chichester once stood for, yet Mr Evans took the bold decision of inviting Tinuke Craig to mount her production of Crave, originally scheduled for the Minerva, in the main house before a socially distanced audience.
هذه القصة مأخوذة من طبعة November 11, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة November 11, 2020 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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