FINE ARTS PARIS, established as an Old Master paintings fair five years ago, is gently expanding into other disciplines to fill the gap left by the long-running Biennale des Antiquaires, which has essentially given up the ghost. The new fair (November 6–11) will bring together 50-plus exhibitors in the Carrousel du Louvre, including a number from outside Paris and abroad. Antiquities, Oriental and non-Western works of art will be represented, as well as Old Masters, 19th-century and some 20th-century paintings and drawings. There will also be three carefully selected jewellers— care being needed, as jewellers were not always collegiate participants at the Biennales, one even trying to keep their clients from visiting other stands.
The underground Carrousel du Louvre incorporates walls of the 14th-century fortress that preceded the palace and this year’s fair entrance has been designed to echo them.
Fine Arts Paris is run by the organisers of the enjoyable and successful annual Salon du Dessin drawings fairs and the Paris art trade is confident that the cantankerous infighting that marred the last Biennales will not resurface. In place of the attitude that it was more important to be a national showcase than a forum for sales—which did little to encourage overseas participants—Paris, boosted by Brexit, is showing a determination to resume its place as the major art-world capital, attracting international buyers and sellers.
هذه القصة مأخوذة من طبعة October 20, 2021 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 20, 2021 من Country Life UK.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
