Like many industries around the world, the dream factory of Hollywood has been closed for business for most of 2020 – and even as it staggers back to its feet at reduced capacity, we’ve only just begun to see the impact on film and television. After the unprecedented era of plenty that gave us both Peak TV and a surge in tent-pole film-making, are we headed for a content desert?
Maybe not quite a desert, at least when it comes to TV. There were 532 scripted shows in 2019, so if only 400-something made it to air in 2020, that’s still more than even the most binge-happy housebound viewer could take in. When the pandemic first hit and TV production ground to a halt, Rolling Stone’s chief TV critic, Alan Sepinwall, was bracing for a drought that never came. “I kept moving the goalposts,” he says. “ ‘Oh, we’re probably going to run out of things when we get to July,’ or ‘Fall will definitely be a trouble spot because the broadcast networks won’t have anything ready.’ The amount of programming so far has slowed but certainly not stopped.”
For the steady flow of entertainment thus far, we can thank the quick thinking of TV execs like WarnerMedia’s Brett Weitz, who found himself staring at a 500-hour hole in the schedule when live sports shut down. “You have two options,” he says. “Curl up in a ball and just never come out of whatever cave you’ve crawled into, or stand side by side with your teammates who are brilliant programmers and brilliant marketers and reconstitute the air.”
هذه القصة مأخوذة من طبعة February 2021 من GQ India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 2021 من GQ India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The 30 Best Watches Of 2024
Rounding up the best shapes, materials, complications and sizes from this year's horological novelty treasure chest.
Wes Lang's Heroes of Love...
Last month, LA-based artist Wes Lang unveiled The Black Paintings, a monumental series of works that play like storyboards to a raucous midnight horror movieand a spiritual quest. Here, GQ collaborates with the artist on a fashion story that brings his stylish characters off the canvas.
The Miraculous Resurrection of Notre Dame
In 2019, a fire nearly destroyed the crown jewel of France-and the nation set a breakneck five-year deadline to bring it back from the ashes. This is the story of how an army of artisans turned back centuries to restore Notre-Dame by hand, and wound up reviving something even greater than the cathedral itself.
"IT'S NOT ABOUT BEING PERFECT. IT'S ABOUT BEING REVOLUTIONARY."
Beyoncé Knowles-Carter talks business, legacy, art, and family
The Wedding Singers
Madboy Mink's dynamic duo, Saba Azad and Imaad Shah, redefine festive style.
A Watch Is More Than Just a Pretty Face
As collectors look to make their grail watches stand out, they're turning to unique vintage bracelets and paying thousands on thousands for straps on the secondary market.
The Fluidity of Cartier
Why Gen Z stars are obsessed with this historic maison.
A Princess with Passion
From restoring monuments to reviving hereditary crafts, Bhavnagar's Brijeshwari Kumari Gohil has her sights on the future.
THE FUTURE SOUNDS LIKE AT EEZ
The Coachella-slaying, multi-language-singing, genre-obliterating members of Ateez are quickly becoming load-bearing stars of our global pop universe.
DEMNA UNMASKED
He's the most influential designer of the past decade. He's also the most controversial. Now the creative director of Balenciaga is exploring a surprising source of inspiration: happiness. GQ's Samuel Hine witnesses the dawn of Demna's new era, in Paris, New York, and Shanghai. Photographs by Jason Nocito.