The Handmaid’s Tale’s star can’t help turning her characters into feminist heroes, even if she’s just trying to play a human.
COVERING THE WALLS at every booth in Elisabeth Moss’s favorite place, Cafe Fiorello, across the street from Lincoln Center, are brass plaques bearing the names of devoted regulars: Katie Couric! Paul Shaffer! Richard Belzer! And soon—major, breaking news—Elisabeth Moss and her mother, Linda, a professional jazz and blues harmonica player. “Isn’t that crazy?!” says Moss, with a breathless excitement that seems to far exceed her thrill at winning a 2014 Golden Globe for her performance as a police detective confronting her dark past in Jane Campion’s SundanceTV series Top of the Lake, or those six Emmy nominations she got for playing Peggy Olson on AMC’s Mad Men. “I mean,” she goes on, “it means so much to us! We’ve been coming here for over 20 years, so to get a plaque is just truly a milestone for us.”
In fact, her mom will be here later to meet her for dinner, which they’ve been doing twice a week since Moss got back from six months shooting the Hulu series The Handmaid’s Tale in Toronto, which debuted its first three episodes on April 26. It’s based on Margaret Atwood’s 1985 dystopian novel, now back on the best-seller list in the age of Trump, about a future in which the United States has become a terrifying fundamentalist patriarchy that has stripped women of all reproductive rights. At the center is Moss, as Offred, the titular handmaid, who, like many other young, fertile women in this new world order, has been forced into a gilded prison as a “two-legged womb” bearing children for the barren wives of the elite.
هذه القصة مأخوذة من طبعة May 1–14, 2017 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة May 1–14, 2017 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
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On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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