The original celebrity activist on regret and radical empathy in the age of Trump.
IT’S THE FIRST FULL day of the Traverse City Film Festival in Michigan, and outside the State Theatre, Jane Fonda’s 1970 mug shot is blown up to poster size. Even if you’ve seen it countless times, the photo will still stop you in your tracks: the undeniable movie-star glamour, the fist raised confidently in the air, the almost blasé look on her face, as though getting arrested (for alleged “drug possession”—actually vitamins) were completely normal.
On the curb, the real-life Jane Fonda gets out of her car and bounds over to embrace Michael Moore, who founded the festival and will be presenting her with a Lifetime Achievement Award later in the evening. She’s wearing a blazer with a one fair wage button on the lapel; yesterday, she served as emcee at a ceremony in Detroit honoring restaurateurs who promote livable wages for their workers. She’s been campaigning around the state for a ballot measure to raise the minimum wage for tipped workers, a movement she got involved with after meeting Saru Jayaraman, an attorney and organizer Fonda calls the Cesar Chavez of restaurant workers.
Fans behind a rope line hold their cell phones aloft, stepping on each other’s feet to snap pictures. As they look on, Fonda walks over to the mug shot—it’s the poster for Jane Fonda in Five Acts, a new documentary about her life from American Masters creator Susan Lacy. Standing beside the famous photo, she raises a fist in the air. The crowd shouts, “We love you, Grace!”—the character she plays opposite Lily Tomlin on the Netflix show Grace and Frankie—and “Jane for president!”
هذه القصة مأخوذة من طبعة August 20, 2018 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 20, 2018 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
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The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
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