Belittled for decades by executives at Viacom and CBS, mocked by journalists and insulted by her own father Shari, Redstone now sits atop a $30 billion media empire
In February 2017, Shari Redstone, the 62-year-old billionaire heiress and controlling shareholder of CBS and Viacom, with a honking Boston accent and a fondness for the bouffant blowout, was at the 50-yard line at Houston’s NRG Stadium to watch her beloved Patriots play in the Super Bowl. That was when CBS board member Charles Gifford, who towered over the five-foot-two Redstone, his own board’s vice-chair, grabbed her by the face to command her attention and said, “We need to talk, young lady.” She froze. Her father, Sumner Redstone, had amassed an empire of media companies like CBS, which encompassed Showtime and Simon & Schuster, and Viacom, whose cable channels (MTV, Nickelodeon, VH1) and movie studio, Paramount, had seen better days, its stock price plummeting as mismanagement and cord- cutting ate into profits. For months, she had been arguing that combining the companies would keep them competitive; CBS board members, including Gifford and CEO Les Moonves, riding high on having the No. 1 broadcast network, had resisted.
Making a scene, Redstone worried, could jeopardize her already fragile relationship with CBS’s board, which was loyal to Moonves and had watched her replace Viacom’s chief executive and several board members. “There was a concern that no matter how gingerly she approached the issue, the CBS side would interpret it as part of a power play,” said someone who gave her advice about it at the time.
هذه القصة مأخوذة من طبعة July 8-21, 2019 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 8-21, 2019 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
