Will fury (and heaps of Democratic cash) be enough to get Jon Ossoff, 30-year-old political neophyte, elected to Newt Gingrich’s old seat this spring?
In all senses, the sun was shining on Jon Ossoff. It was early in the evening on a Sunday in late March, and the suddenly very visible 30-year-old Democratic candidate in the first competitive special congressional election of the Trump era was riding shotgun in a sooty-black Chrysler Sebring, hunched over a paper plate of cheese and crackers, while a member of his staff steered toward the next fund-raiser through the hills of suburban Atlanta. The back of the car was piled high with half a dozen Nike shoe boxes, a stuffed owl, and a reporter. Between bites, Ossoff stared ahead at the road, indulging in long pauses as he considered what to say about his new life as the luckiest young man in American politics. “There’s nothing that I would love more than a freewheeling conversation about political philosophy,” he said. “But I’m cautious because, as you know, the knives are out right now.”
That is not exactly how things appeared to most observers of this breakneck two-month campaign to fill the House seat vacated by Tom Price, the new secretary of Health and Human Services. Outside of the Sebring motorcade, Ossoff looks like the poster boy of the resistance, the grassroots opposition to both President Donald Trump and the wave of nationalism that installed him in office. He is a relative neophyte running 20 points ahead of a divided Republican field in a congressional district that hasn’t been blue since Jimmy Carter, also a Georgian, was president; an anonymous congressional aide turned documentary-film producer made into a national political figure mostly by love from readers of the Daily Kos; a pleasant, generic hipster-technocrat vessel into which an entire nation of angry Democrats has poured its electoral hopes (not to mention its millions of dollars — literally millions, a wild haul for a first-time nobody in a two-month race).
هذه القصة مأخوذة من طبعة April 3-16, 2017 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة April 3-16, 2017 من New York magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten