Leonardo da Vinci (1452-1519)

Mark Willingham looks at the philosophy of the great artist.

- Mark Willingham

Leonardo da Vinci died five hundred years ago last year, and galleries all over the world commemorated this quincentenary. However, it was only long after his death – after the re-discovery of his collection of notebooks – that other academic fields could legitimately start to claim Leonardo as one of their own. So, what does this polymath, Renaissance man, genius, have to add to the study of philosophy?

Well, surely if being a philosopher is anything, it is using enquiry to test claims and hypotheses from first principles, including using experiments to discern whether or not truth can be reached from them. Indeed, as Ludwig Wittgenstein stated, “Philosophy is not a body of doctrine but an activity” (Tractatus Logico-Philosophicus, 1923) – in which case we might have plenty to learn, not from a systematic exposition of a doctrine or the expounding of a theory, but from Leonardo’s life, his methods, and his spirit. From the select highlights of his life and work in this brief summary, I think anyone who holds even a fraction of Leonardo’s restlessness or curiosity can find something within his vast field of enquiry to deepen their own understanding.

Leonardo Observes Life