On May 1, 2013—the coldest May day in nearly a century—more than 1,000 Hongkongers bundled up and headed to the harbourfront to welcome a larger-than-life visitor to town: a 16.5-metre-tall inflatable rubber duck. Some residents adored it: a headline in the South China Morning Post declared “Giant rubber duck has united the city”. Others weren’t so sure about the installation, which was actually a sculpture by the Dutch artist Florentijn Hofman. One animation that was widely shared on Facebook pictured the duck being bombed and sinking beneath the waves. But love it or hate it, one thing was certain: everyone in the city was talking about the big, bobbing bird in Victoria Harbour.
هذه القصة مأخوذة من طبعة August 2020 من Tatler Singapore.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 2020 من Tatler Singapore.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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