Anshika Khullar, the 24-year-old England-based illustrator, talks to Verve about the process of creating an inclusive imagery of the LGBTQIA+ community and pushing for adequate representation for South Asian queer groups on a global scale
WHAT NUANCE DOES VISUAL ART ADD TO YOUR PARTICULAR BRAND OF ACTIVISM?
Visual art lets me showcase my perspective as a queer, brown, feminine and gender-fluid person by highlighting the beauty in underrepresented bodies.
A huge part of my activism is centred around positive representation of marginalised communities. There’s a big stride towards this in various creative industries, particularly in the West, where people of colour have been increasingly coming to the fore and reclaiming the space, which has historically been kept from them due to colonialism and racism.
There’s still a lack of representation in the media. Except for Frida Kahlo, white, cisgender and heterosexual men have prevailed throughout history as masters of art, but that’s because they have largely written our history. In doing so, they have kept cisgender and transwomen, non-binary folks, and more particularly those of colour, out of the narrative. We’ve been creating art for just as long as them, but it isn’t visible or as valued as theirs. Hence our voices and perspectives have been scarce.
DO DETAILS ENHANCE OR TAKE AWAY FROM A SENSE OF UNIVERSALITY IN YOUR ART?
هذه القصة مأخوذة من طبعة November-December 2018 من Verve.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة November-December 2018 من Verve.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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