Take a cursory glance over Avision’s discography and past gig list and you’re likely to develop a slight tinge of jealousy. Releases on established labels like Ellum and Drumcode? Check.
Support from techno heavyweights like Adam Beyer, Nicole Moudaber, and The Martinez Brothers? Check. High profile gigs in Miami, Barcelona, and LA? Check, check, and check.
What you don’t see are the hours and hours of work that this New York native has put in in order to get there. Avision, real name Anthony Cardinale, started on the decks at the ripe young age of 12, bolstered by support from his musician father and cousin Victor Calderone. But Avision has taken his time to let his influences inform his music and his selections, and it shows. His tracks show a producer who understands balance and depth, and it’s clear that he’s just getting started. We chatted about life in the New York/New Jersey continuum, how to balance DJing versus producing, and which of his dad’s vintage synthesisers continue to inspire him today.
You started on the turntables at age 12. Did you have any family members who were into DJing or were they just around? That’s a really young age to start out!
“My dad had a wedding band when I was growing up and I started getting into dance music because he was always learning the top 100-dance/house tracks. So I gravitated into DJing because of the music I was listening to. Later on, around 14, I found out my cousin Victor Calderone was a big DJ. Around the same time, I used to beg my dad to work on remixes with me. Rather than playing PS2 like most kids, I was learning Logic.”
What did your dad play in the band? And did he record/remix too?
هذه القصة مأخوذة من طبعة July 2020 من Future Music.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 2020 من Future Music.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates