>VIDEO ON FILESILO
When something moves and causes the air around it to vibrate, magic can happen. You know this from before you are born; the vibrations you hear all around you, from your mother’s beating heart to the sounds which reach you from outside that become familiar and trusted. When you’re out in the big wide world, those sounds become more detailed and magical. What it means to ‘record sound’ is to find a way to capture that vibrating air by using finely-calibrated equipment to register, amplify and convert those vibrations into something which can be heard over and over again, or manipulated, treated, or re-recorded, into countless iterations of that original source. To put a microphone in front of a musical instrument, whether it’s a drum kit, or a violin, or the human voice, is to prepare for the sonic cataloguing of a unique moment in time, where a new set of acoustic vibrations will take place, affording you the unique honour of being there to make them part of your productions. A responsibility not to be taken lightly, we’re sure you’d agree.
Engineering and worlds of sonic possibility
هذه القصة مأخوذة من طبعة October 2020 من Future Music.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2020 من Future Music.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates