After storming international singles charts with the back-to-back pop house bangers Horny and Sexbomb, producer Mousse T. – aka Mustafa Gundogdu – had a choice to make. Follow up that global success immediately with more of the same. Or wait three years to release an album of downtempo funk, big band, reggae, and trip-hop – with an undercover policeman on bass, porno samples, and a Fine Young Cannibals cover version. Needless to say his distributers had hoped for the former, and he delivered the latter.
“After the success of Horny they wanted 13 more tracks just like that,” says Mousse. “I tried! But I never played them to anyone because I was really feeling ashamed. I said, ‘I can’t just keep copying myself, and just doing this... formula’.”
Instead, he rebuilt Horny and Sexbomb as ‘swing’ and ‘jazz’ versions, to form the start of a wild and wonderful artist album that represented him, his inspirations, and his record collection.
“I wanted people to know there was a little world behind Mousse T,” he says. “I wanted to move away from the whole house music and dancefloor thing, and just have a playground, basically. Which, for me, was the funk and soul music I loved.”
Ignoring all his commercial club house instincts, he broke out his vintage keyboards, assembled a crew of musicians and vocalists, and looped up any groovy samples he could find in his crates, or tucked away on 2” tapes from previous projects, and set to work.
هذه القصة مأخوذة من طبعة September 2020 من Future Music.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 2020 من Future Music.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates