IN APRIL OF 1970, FRESH OFF THE triumph of their first two albums, Led Zeppelin were touring North America for an astounding fifth time in two years. The quartet was determined to become the biggest band in the world, and there was every indication that they were well on their way. Their live shows had become the stuff of legend, breaking attendance records, and on this particular one-month jaunt, they would gross a total of more than $1,200,000— roughly $8 million in today’s money.
But their experience on tour was not without its glitches. And a major one was the U.S. South and its still ultra-conservative mores.
“It was my dream to play Memphis,” Jimmy Page told Guitar World back in 2008. “I grew up loving the music that came out of [there] and Nashville. But it turned out to be really depressing. We arrived in Memphis and were given the keys to the city [because] the mayor was astonished at how quickly ‘this Led Zeppelin fellow’ had sold out the local arena. It occurred to him, whoever this ‘guy’ was, he must be important.
“We got the keys in the afternoon, but I guess they didn’t like the looks of us. Shortly after, we were threatened and had to get the hell out of town as soon as we were done with the show. I was really mad because there were all these places I wanted to go — Sun Studios, where Elvis Presley had recorded, and so on. They didn’t like the long hair at all, man. It was seriously redneck back then.”
هذه القصة مأخوذة من طبعة March 2021 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة March 2021 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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