WHEN CROWN LANDS guitarist Kevin Comeau was 14, he was a budding punk bassist with “spiky blue hair” who worshipped Green Day and the Clash. Unfortunately, his parents were absolutely fine with his rebellious music. So he did the most punk thing he could think of at the time: he dove headfirst into progressive rock.
“At the height of my punk-rock rebellion I discovered my parents’ least-favorite band of all time was Rush, [so] I downloaded A Farewell to Kings,” he says with a laugh. “I remember listening to ‘Xanadu’ for the first time and hearing the birds chirping in the background. I think that’s the first time I discovered what a synthesizer was. Geddy [Lee’s] bass playing is so good, and Alex [Lifeson’s] solo at the end. It changed my life, man.”
From the look and sound of Crown Lands, it’s clear the life change has stuck. The young Canadian duo, which also features singer/ drummer Cody Bowles, exudes Seventies hard-rock swagger: from lion’s mane hair and vintage clothes to speaker-rattling blues riffs, progressive psyche vibes and tricked-out rigs. The exciting sonic blend, which they’ve explored on two ear-catching EPs (2016’s Mantra and 2017’s Rise Over Run), has already earned Crown Lands some high-profile fans: Jack White, Primus and Rival Sons have all invited the rising band to open for them on tour.
هذه القصة مأخوذة من طبعة August 2020 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2020 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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