MARCUS KING IS NOT A BLUESMAN. HE MIGHT PLAY SOME BLUESY RIFFS and know his way around a fuzzed-out pentatonic solo — but Marcus King is definitely not a bluesman. Just ask him. “I never called myself a blues artist,” he says in his soft Southern drawl. “Any time you see it written down, it’s another man’s words. It’s because for me I think the authentic nature of the blues, only a few people truly hold that. I’m an admirer of the craft. Someone like Eric Clapton really holds the title because he’s such a reservationist to the music and he goes through his fair share of shit as well. Muddy Waters, Robert Johnson, Howlin’ Wolf, Junior Kimbrough, those are bluesmen to me, and I don’t hold a candle. The way I see it is, I’m an American musician and blues happens to be an American artform. For me, I’m encompassing all these different styles of music and just hoping somebody will listen.”
On his new album, El Dorado, the South Carolina-born King backs up his claim, dipping his toes into country, acoustic balladeering, soul and rock ‘n’ roll.
When I get King on the phone, it’s a few weeks before Christmas, but he isn’t taking any time off to set up a tree and down some eggnog. He’s been on the road for weeks, promoting the yet-to-be-released El Dorado the only way he knows how.
“We’ve been trying to hit three cities a night, or at least that’s how it feels. We’ve been running constantly and just trying to cover as much ground as we can,” he says. “The band is feeling as good as ever. No reason not to work it.”
هذه القصة مأخوذة من طبعة April 2020 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة April 2020 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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