As great as that amp is, it may be too much of a good thing as most players these days don’t need 120 watts of output power and prefer smaller, lighter amps that are easier to haul to gigs. Fortunately, Peavey and Mansoor have collaborated on a sequel of sorts — the invective MH, with the MH standing for “mini head.” About half the size and one third the weight of the invective.120, the Peavey invective MH also delivers 100 watts less of output power and cuts more than $1,000 from the price, while retaining most of the bigger invective’s innovative features and awesome tones.
FEATURES The Peavey invective MH may be housed in a mini head configuration, but it’s packed with more features than many full-size heads can boast. At its core, the invective MH is a 20-watt, two-channel amp driven by a pair of EL84 power output tubes (compared to the stock four 6L6 tubes in the mighty invective.120) and three 12AX7 preamp tubes (compared to six in the 120). The Clean channel provides Gain, Low and High controls, while the Lead channel offers Pre Gain, Low, Mid, High and Post Gain controls plus switches for Gate, Tight and Boost functions.
هذه القصة مأخوذة من طبعة June 2020 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة June 2020 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
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WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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