1989, I SAT WITH LEGENDARY BRITISH INVASION precord producer Shel Talmy in his Hollywood Hills home. We were talking about all the iconic acts he’d worked within the mid to late Sixties, from the Who and the Kinks to David Bowie. The conversation invariably turned to another great band from that era — one, sadly, not as well known today — the Creation, and their explosive, wildly innovative guitarist, Eddie Phillips.
“Had that band stayed together,” Talmy declared, “I’m convinced Eddie Phillips would be in the same category as Eric Clapton and all those people.”
The Creation were always the quintessential cult band, not to mention one of rock’s great guitar bands. The iconic Eighties-Nineties dream pop/ Brit pop label Creation Records — home to My Bloody Valentine, Oasis, the Jesus and Mary Chain, Swervedriver and other game-changing guitar groups — was named in their honor. Devoted fans include everyone from John Lydon to film director Wes Anderson, who put the Creation song “Making Time” in his 1998 feature film, Rushmore.
The hipsters all know, but the mainstream never quite understood. Even in their mid- to late-Sixties heyday, the Creation barely hovered below the top 10 in their own land, the U.K. As an American teenager in the Sixties, I only discovered them because Pete Townshend would sometimes namecheck them in interviews with the rock press. They were virtually unknown in America.
هذه القصة مأخوذة من طبعة May 2022 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة May 2022 من Guitar World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
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TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
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The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
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DEWAYNE "BLACKBYRD" MCKNIGHT
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PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
