If you spend enough time glued to the gogglebox, you’ll find you can’t move for American car-restoration shows. The plots are always a bit on the thin side. And there’s usually a stupid deadline… a deadline that can’t possibly be met. Yet something that looks as though it was pulled from the trash compactor on the Death Star is transformed into a sleek new conveyance with minutes to spare. Every. Single. Episode.
Quite often these shows will produce something described as a “Rat Rod”. Beloved by rockabilly cats and kittens, these things are the antithesis of megabucks hot-rods with their expensive paint and polished chrome. Rat Rods generally boast visible wear and tear and flat primer-style paint. Luckily, the new Gretsch G5410T Electromatic “Rat Rod” that just rolled onto our forecourt has plenty of the latter and none of the former.
Built in Korea, this hollow-bodied behemoth is basically a modified take on the iconic G6120, which is the guitar the doomed rocker Eddie Cochran, Nashville boss Chet Atkins and Stray Cat Brian Setzer all bestowed iconic status upon.
At the heart of the beast you’ll find the top, back and sides pressed from sheets of laminate maple and bound in aged white plastic and black purfling. That’s your cake. The icing is the 50s-style bound oversized f-holes, classic chrome ‘G-Arrow’ control knobs, not to mention the obligatory old-school wiggle stick, in this case a stifffeeling but workable licensed Bigsby B60 True Vibrato. The latter is partnered with a six-saddle Adjusto-Matic bridge with an anchored wooden base.
هذه القصة مأخوذة من طبعة Summer 2020 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Summer 2020 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more