As the original PRS guitar, the 24-fret Custom has certainly earned its place in guitar history. For this milestone year there are three celebratory models – all Custom 24s – starting at the SE level then moving to the USA for the S2 and topped off with the ultimate Core version.
While the Custom itself has constantly evolved over three-and-a-half decades and been the start point for the majority of subsequent PRS designs, it remains very much a halfway house between a Les Paul and a Stratocaster. In simple terms, it has the wood choice and construction style of the former but with the double-cutaway style and vibrato of the latter. A perfect hybrid? Its detractors, however, see this duality as its biggest failing: it’s not a Les Paul and it’s not a Stratocaster. While that discussion will continue as long as there are pubs and internet forums, what better way to celebrate this landmark design than with the 35th Anniversary S2 level? The halfway house of the celebratory trio.
At £1,799 and including a perfectly good gigbag, it’s a well-aimed price point – like our trio of S2 McCarty 594s we look at later on in this issue – that puts it nicely in competition between Fender’s American Ultra, Original and Professional ranges and Gibson USA’s pricing on the first ‘proper’ Les Paul in the current line-up, the Classic, especially since the standard S2 Custom 24 has a full retail of £1,699.
هذه القصة مأخوذة من طبعة June 2020 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 2020 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more