The Sharks and Bryan Ferry guitarist reflects on the quest for good coffee and life as a Womble…
What was your first ever gig?
“That would probably be with my school group. I had a group called The Vulcans and I think it went surprisingly well. I must have been about 14 years old and I had a Höfner guitar and we played a lot of Shadows and Ventures stuff – instrumentals. We had a couple of singers, one who specialised in Cliff Richard style and the other guy sounded a bit like Eddie Cochran. The significance of The Vulcans in Sheffield was that it was a steel town and Vulcan was the god of fire. There was a statue of him on top of the town hall.”
Describe your current stage rig…
“It depends on what I’m doing. If I’m doing a rock ’n’ roll gig with a regular rock band, I’ll use a Fender Deluxe Reverb amp, no pedals, although I might put a Boss tuner in. I turn the amp up to 10 and work off the volume control on the guitar. If I want it quiet and relatively clean I’ll turn it down to three or four and when I want to play a solo I just whack the guitar up to 10. For other gigs, like backing up Bryan Ferry, he tends to want more variety in the guitar sounds and so it gets a bit more complicated. So I use a Kemper and we use in-ear monitors, so there’s no noise coming off the stage. It’s not plugged into an amp or a speaker, it goes directly to the front of house or to the monitor guy at the side of the stage and he feeds my sounds back to me.
هذه القصة مأخوذة من طبعة Summer 2018 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة Summer 2018 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more