In Roxy Music, Phil Manzanera was the guitarist who put the addictive hooks into hits such as Love Is The Drug and Angel Eyes. A lifelong sonic innovator, Phil worked closely with Brian Eno to create Roxy Music’s experimental pop classics of the 70s – but Roxy’s albums also showed him to be a player of rare taste and poise. Phil’s also produced albums as diverse as David Gilmour’s On An Island and John Cale’s Fear – but he’s far from done making his own music. In fact, he’s just completed a new album entitled Caught By The Heart with Tim Finn, formerly of Crowded House and Split Enz. A multilayered melange of sound with a Latin heartbeat, it brims with soulful sounds from all corners of the world.
Despite its eclecticism, Caught By The Heart was recorded while both Phil and Tim were confined to their home studios, separated by thousands of miles, during the lockdown. With the album now out and the music world slowly emerging from the long shadow of Covid, we joined Phil in the ‘hut’ that became his musical sanctuary to hear his perspectives on the art of recording, learn how he crafted Roxy’s timeless guitar lines, and find out what guitar gear has captured his heart in recent times.
How did you first meet Tim Finn?
“Well, we first met in 1975 when we were on the first Roxy Music tour of Australia. We just arrived in Sydney after a humongous long journey. In those days, it seemed really like a huge adventure to go to Australia. And so I spent 24 hours or something on a plane, I got into my hotel room and collapsed on the bed, turned on the telly and the first people I see are Split, Enz.
هذه القصة مأخوذة من طبعة October 2021 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة October 2021 من Guitarist.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more