In 1962, The Beatles released just two tracks – the first under their own name to make their way onto vinyl. The single, Love Me Do, crawled up to just No 17 on the UK charts. No one would have guessed that, 60 years later, the release would be celebrated as a milestone in popular music.
Unless you were living in Liverpool or Hamburg, Love Me Do, and its B-side P.S. I Love You, were likely all the world knew of how The Beatles sounded the year they issued their debut 45. Yet 1962 was just as significant to their career as the seven smash-filled years that followed.
Here’s what happened during those eventful 12 months. They changed their drummer in the late summer – probably the best and most important move they ever made. They signed with manager Brian Epstein, without whom they might have never been heard outside Liverpool and Hamburg. They got a record deal with EMI, and established the partnership with their greatest musical ally, George Martin.
Fortunately, many recordings do survive besides that lone single, which allow us to trace the band’s early development with the help not just of hazily remembered stories, but evidence laid down in the studio.
1 January 1962: The Decca Records Audition
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ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة September 2022 من Record Collector.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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Paperback Blighters - The books every record collector should read.
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David Bowie is one of the most venerated musicians ever. But even he had his bad periods. For many, 1984 remains the nadir of his Phil Collins” phase; an artistic/sartonial/tonsorial disaster area. But was it really that awful? Forty years on, Matt Phillips explores Bowie's so-called annus horribilis.
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David Cassidy was arguably the biggest solo star of the immediate post-Beatles era, yet his fame as well as his boyish good looks and extracurricular excessesovershadow the excellence of his breathily intimate, musically accomplished records. Simon Goddard, RC contributor and author of an acclaimed series of books on David Bowie, hails the work of the tortured pop idol
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There's little sign of slowing down from the 19-year-old Pete Townshend. Currently on the go: multi-media project The Age Of Anxiety; a dance production of Quadrophenia; and Pete Townshend Live In Concert 1985-2001, a 14-disc boxset of his solo in-concert recordings. Not, he admits, that his every whim and fancy are worth deeper exploration. \"Some of them are good ideas, some of them are pretty dumb,\"
