How India’s leading ska / reggae band interpreted jail encounters and Modi-era malaise on their biting sophomore record.
“I THINK I SPEND A LOT OF TIME hanging around with the dregs of society,” says Stefan Kaye. “Some people may think that these individuals have noble professions, but they’re the worst kind of morally bankrupt, parasitic fuckwits.” The British-born keyboardist/percussionist for The Ska Vengers holds a special caustic contempt for most servants of the law ever since he ran into visa violation trouble four and a half years ago. It’s the same legal tangle that’s led the 38 year old to despise “most lawyers, every single police officer, magistrates, civil servants.” It’s also the same legal tangle that landed him in Tihar’s jail No. 4 for three weeks in 2011. More recently, it tossed Kaye back in court just hours before the Delhi ska/reggae band launched their second album XX (pronounced “double cross”) last month. But the gig went off smoothly; the six-member band — also comprising vocalists Taru Dalmia aka Delhi Sultanate and Samara Chopra aka Begum X, guitarist Chaitanya ‘Chazz’ Bhalla, drummer Nikhil Vasudevan and bassist Tony Guinard — weren’t the least bit phased from kicking up a rumpus.
XX comes four years after The Ska Vengers’ romping self-titled debut, and roughly eight years after Kaye first put together the band with former guitarist Raghav Dang (later replaced by Chazz). While a twist of Facebook-fate brought Kaye and Dang together in 2008, the former approached Dalmia at one of the rapper’s monthly Bass Foundation nights that same year. Drummer Vasudevan and Chopra joined in, in 2009. The six-member band (along with saxophonists Rie Ona and Shirish Malhotra) spent a large part of 2010 jamming, smoothening out their sound and working on original material alongside — all of which started landing them gigs.
هذه القصة مأخوذة من طبعة August 2016 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة August 2016 من RollingStone India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
Get Closer: The Intimate Gaze of Films at NYFF62
A second intimacy arises between our lives and those unfolding on screen... and in setting their sights on exploring ordinary lives at close range, filmmakers at this year's New York Film Festival deepened that intimacy to great effect
Meet the Women DJs Shaping Global EDM
For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
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Foster The People: 'Fame can literally shorten your life-it's intense, and it gets in your head'
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Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
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INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
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TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
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