On November 15, journalists covering the Supreme Court received an unusual note from the office of Ranjan Gogoi, the 46th Chief Justice of India, who was to demit office two days later. The note explained why the CJI could not grant journalists their request for onetoone interviews. “Bitter truths must remain in memory,” the CJI said. Public memory, as the cliché goes, is short. However, it isn’t altogether abs ent. Gogoi’s ruse of keeping bitter truths about the Supreme Court—or are they more specific to his term as CJI?—confined to his memory seems ironic, if not altogether preposterous. The contradiction in such posturing is even starker given his participation in an unprecedented press conference in January 2018 when he, along with then SC judges, justices J. Chelameswar, Madan B. Lokur and Kurian Joseph, launched a scathing broadside against then CJI Dipak Misra.
On October 3 last year, when he was sworn in as the CJI, the cautious euphoria among those who had hailed him for his commitment towards constitutional morality and institutional integrity was expected. And, in the initial weeks, he did not disappoint. Within days of assuming office, Gogoi had shown a strong commitment for administrative reforms to help reduce the huge pendency of cases. But then began the tailspin. Hopes that the opaque decision-making process of the SC collegium—the five seniormost SC judges who recommend names for appointments and elevations of judges— would become more transparent under Gogoi quickly dissipated. The collegium’s recommendation to elevate justices Dinesh Maheshwari and Sanjeev Khanna to the SC after rescinding an earlier decision to elevate Rajasthan high court chief justice Pradeep Nandrajog and justice Rajendra Menon continued the trend of opacity in judicial appointments.
هذه القصة مأخوذة من طبعة December 02, 2019 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة December 02, 2019 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee