Excesses In God's Name
Outlook|January 08, 2018

When all that was local was ‘pagan’ and those unpalatable for the invaders ‘heresy’, conversions became a tool for subjugation

Vinod Victor
Excesses In God's Name

AT a gathering of young multi-cultural people in Melbourne recently, we chanced upon a very intimate discussion on what is happening to God, given the context of a significant rise in the people who opted for “no religion” in the just concluded census. There was a deep decl­ine in the numbers of people who professed any faith.

We were working on a celebration around Christmas and the self-introduction had a question: how did you end up in Melbourne, the world’s most liveable city? Well, there were many (who came as students) convinced at the educational credentials of the universities, but there were several who said they were there not by choice but by circumstantial compulsion.  “We are here because we could not be at home,” was the refrain. “We have made this wonderful city our home because our parents had to take refuge here, having been forced out of our own nations.” There was quite a lot of discussion happening on the contemporary refugee crisis. So, when the question arose of whether to let in more refugees, one person sighed: “Well, it is all in the name of God”. That is the saddest part. That one statement resou­nded with the pain of a collective consciousness of generations of people who were victims of war and violence in the name of God.

هذه القصة مأخوذة من طبعة January 08, 2018 من Outlook.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة January 08, 2018 من Outlook.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

المزيد من القصص من OUTLOOK مشاهدة الكل
Layers Of Lear
Outlook

Layers Of Lear

Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold

time-read
4 mins  |
December 21, 2024
Loss and Longing
Outlook

Loss and Longing

Memories can be painful, but they also make life more meaningful

time-read
6 mins  |
December 21, 2024
Suprabhatham Sub Judice
Outlook

Suprabhatham Sub Judice

M.S. Subbulakshmi decided the fate of her memorials a long time ago

time-read
8 mins  |
December 21, 2024
Fortress of Desire
Outlook

Fortress of Desire

A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort

time-read
7 mins  |
December 21, 2024
Of Hope and Hopelessness
Outlook

Of Hope and Hopelessness

The body appears as light in Payal Kapadia's film

time-read
3 mins  |
December 21, 2024
Ruptured Lives
Outlook

Ruptured Lives

A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles

time-read
5 mins  |
December 21, 2024
The Big Book
Outlook

The Big Book

The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha

time-read
4 mins  |
December 21, 2024
How to Refuse the Generous Thief
Outlook

How to Refuse the Generous Thief

The poet uses all the available arsenal in English to write the most anti-colonial poetry

time-read
4 mins  |
December 21, 2024
The Freedom Compartment
Outlook

The Freedom Compartment

#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers

time-read
1 min  |
December 21, 2024
Love, Up in the Clouds
Outlook

Love, Up in the Clouds

Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee

time-read
5 mins  |
December 21, 2024