She traversed several roads. She connected them through exits, and switch roads. But in the end, the economic highways that emerged from finance minister Nirmala Sitharaman’s Budget 2020 looked like a maze. Her speech came across as a policy construction with little idea of what to do, and when. Instead, what she achieved was a mish-mash with dozens of clogged pathways full of long jams. Possibly, the expectations among the investors and citizens were too high, and the financial shackles on Sitharaman too restrictive.
The huge hopes implied that the budget decisions were perceived largely as two-steps forward, one-and-a-half backwards. The FM doled out several benefits with her right hand, but took away sizeable portions with her left. Clearly, the constraints didn’t allow the FM to go all the way. In the process, her fiscal arithmetic looked a bit wobbly, as she based the government’s optimistic revenue estimates on the successful sale of family jewels, like the state-owned LIC and other cash-rich PSUs, and that of telecom spectrum.
As Sitharaman stuttered through what was the longest speech in free India—she took several water and medicine breaks and couldn’t finish the last two pages—it seemed as if she was unsure about what plagued the economy. She wasn’t clear whether the problem lay with the consumers’ inability, and lack of desire, to spend, or with India Inc’s helplessness to invest. Did she have to hike demand by putting more money in the buyers’ pockets, or spur supply by encouraging companies to enhance their production?
هذه القصة مأخوذة من طبعة February 17, 2020 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 17, 2020 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee