An ambitious AAP flirted with the wrong sentiment in Punjab last year—separatism
A year ago, the Aam Aadmi Party won only 20 seats in Punjab’s 117-member assembly, surprising itself and everyone else. It was supposed to be a near-walkover. After seeing its national ambitions dashed for the time being, the party resigned itself to playing a good opposition. But so far, it has occupied two alarmingly divergent orbits. Petty factionalism and looming obscurity at one level, and on the other, a contrarian stand on the one issue that cost it an election: Sikh radicalism.
The spectre had extracted a heavy price in the polls—80 seats less than what was predicted by AAP leaders till just before voting on March 11, 2017. In the context of a Punjab that looks back at the ’80s-90s with an overload of pain, dread and exhaustion, even allowing a whiff of separatism was akin to walking into a trap—and one not entirely lain by opponents. Yet, it walked right in with eyes wide open and got singed.
The experience should have served as a permanent cautionary note. After all, AAP had come as an alternative to the identity-peddling Akalis, with a blueprint for governance, not to rouse sleeping demons. And it should have returned to its core areas. But no such luck. Presently, some in AAP’s Punjab unit are accusing the mothership in Delhi of nothing less than sabotage, of letting stray leaders shoot their mouths off on separatism until the unit collapses. The charge is unproven, but that it even exists shows the state of play.
هذه القصة مأخوذة من طبعة February 12, 2018 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة February 12, 2018 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee