The chole bhatures, stuffed paranthas, pav bhajis, golgappas, chaats are finger-lickin’ good, as are the melt-in-mouth galauti kababs, chicken rolls, biriyanis, chow-chows, and idiyappams...Well, you can have them served by liveried waiters at gourmet restaurant. But that’s not the real McCoy. For many of us, they are not as tasty until sold from sidewalk-hogging dirigible carts, or small brick-and-mortar stalls—a fixture on city streets. That’s street food, a vibrant subculture populating our cities and towns, dishing out an inexpensive delectable fare, often greasy and spicy. Be it Delhi’s Chandni Chowk, Mumbai’s Khau Galli, Calcutta’s Dalhousie or Lucknow’s Hazratganj, every state has food hubs selling local cuisine. The carts add a sense of community, and give a peek at the microcosm of the city’s millions and its storied history. They are a repository of age-old food culture; they attract local foodies as well as tourists. They make good food accessible and inexpensive.
They don’t do any serious damage to wallets, but are sometimes indulgent on sanitation—a reason why authorities see hawkers as an illegal nuisance selling inferior foods sourced and prepared unhygienically. The street food business has grown exponentially. Hardworking city slickers are its main clientele. This flourishing trade has now attracted unskilled vendors, the majority of them illiterate or semi-literate, having no knowledge whatsoever about food safety. Unhealthy cooking practices, unhygienic handling of raw and cooked food, washing dishes in dirty water, and stinking surroundings because of rotting, leftover food are major deterrents.
هذه القصة مأخوذة من طبعة September 23, 2019 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 23, 2019 من Outlook.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee