In December 1999, Naomi Harris turned down a job offer, left her apartment in New York, and checked into the Haddon Hall Hotel, in Miami Beach. She was 26. She wanted to be a photographer.
The hotel was a year-round home for some and a seasonal residence for others—snowbirds, mostly in their 80s and 90s, who came down from New England or Canada and stayed all winter. They didn’t have a lot of money, and they didn’t go there for luxury. Their days were spent together: eating, dancing, flirting, playing bingo. They welcomed Harris, allowing her to photograph intimate moments of joy and vulnerability.
هذه القصة مأخوذة من طبعة December 2021 من The Atlantic.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة December 2021 من The Atlantic.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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