Subversive secrets lurk in the gap between Louisa May Alcott’s real life and the story she tells.
EARLY IN THE RECENT BBC/PBS miniseries Little Women, the first significant adaptation of Louisa May Alcott’s novel in 24 years, Laurie (played by Jonah Hauer-King) tells Jo (Maya Hawke)—the first March sister he falls in love with—how much he enjoys watching her family from his nearby window. “It always looks so idyllic, when I look down and see you through the parlor window in the evenings,” he says. “It’s like the window is a frame and you’re all part of a perfect picture.” “You must cherish your illusions if they make you happy,” Jo replies.
The scene nods to an awkward truth: Little Women is the window tableau and we, its readers, are Laurie, peering in and savor ing its sham perfection, or at any rate its virtuous uplift. During the 150 years since the novel’s publication, fans have worshipped Alcott’s story of the four March sisters and their indomitable mother, Marmee, who navigate genteel poverty with valiant acceptance and who strive—always—to be better. Detractors (notably fewer in number) have generally fastened on some version of that saga of gritty goodness too, irritated rather than awed.
هذه القصة مأخوذة من طبعة September 2018 من The Atlantic.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة September 2018 من The Atlantic.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
You Are Going to Die - Oliver Burkeman has become an unlikely self-help guru by reminding everyone of their mortality.
"The average human lifespan," Oliver Burkeman begins his 2021 megabest seller, Four Thousand Weeks: Time Management for Mortals, "is absurdly, terrifyingly, insultingly short." In that relatively brief period, he does not want you to maximize your output at work or optimize your leisure activities for supreme enjoyment. He does not want you to wake up at 5 a.m. or block out your schedule in a strictly labeled timeline.
Washington's Nightmare - Donald Trump is the tyrant the first president feared.
Last November, during a symposium at Mount Vernon on democracy, John Kelly, the retired Marine Corps general who served as Donald Trump's second chief of staff, spoke about George Washington's historic accomplishments— his leadership and victory in the Revolutionary War, his vision of what an American president should be. And then Kelly offered a simple, three-word summary of Washington's most important contribution to the nation he liberated.
The Elite College Students Who Can't Read Books - To read a book in college, it helps to have read a book in high school.
Nicholas Dames has taught Literature Humanities, Columbia University's required greatbooks course, since 1988. He loves the job, but it has changed. Over the past decade, students have become overwhelmed by the reading, College kids have never read everything they're assigned, of course, but this feels different. Dames's students now seem bewildered by the thought of finishing multiple books a semester. His colleagues have noticed the same problem.
What Zoya Sees
Long a fearless critic of Israeli society, since October 7 Zoya Cherkassky-Nnadi has made wrenching portraits of her nation's sufferingand become a target of protest.
Malcolm Gladwell, Meet Mark Zuckerberg
The writer’ insistence on ignoring the web is an even bigger blind spot today than it was when The Tipping Point came out.
Alan Hollinghurst's Lost England
In his new novel, the present isnt much better than the past—and its a lot less sexy.
Scent of a Man
In a new memoir, Al Pacino promises to reveal the person behind the actor. But is he holding something back?
CATCHING THE CARJACKERS
ON THE ROAD WITH AN ELITE POLICE UNIT AS IT COMBATS A CRIME WAVE
THE RIGHT-WING PLAN TO MAKE EVERYONE AN INFORMANT
In Texas and elsewhere, new laws and policies have encouraged neighbors to report neighbors to the government.
The Playwright in the Age of AI
In his new play, McNeal, Ayad Akhtar confronts, and subverts, the idea that artificial intelligence threatens human ingenuity.
