When Florence Pugh was a child, she hated to cry in public. If she had an argument with her parents, she would run to the bathroom, lock the door, and sit under the sink. Only then would she weep. "When I started acting I remember thinking, 'Ooh, this isn't good news, because we all know how amazing it feels when you see the character you've been following finally crumbles," she says. "And I just couldn't do it."
Now she cries so often in movies that it's become something of a meme-her guttural wails in Midsommar, her blubbering in Little Women, and her screams in Don't Worry Darling have all gone viral. Because a childhood illness affected her breathing, Pugh still has a gravelly voice that lends itself to anguish. She used to imagine her family in coffins to achieve the ultimate ugly cry: "I never wanted it to be prissy. For me, it's snot or nothing." But she's no onetrick pony: equally adept at comedy and action, she has appeared in superhero flicks and indies. She's a magnetic and multifaceted onscreen presence, the kind that doesn't come around very often.
Pugh is in the midst of what might be the biggest year of her career. On the heels of A Good Person-a drama written and directed by her ex-partner Zach Braff, which she also produced-she'll star in two highly anticipated movies: Christopher Nolan's Oppenheimer and Denis Villeneuve's Dune: Part Two. Both are the sorts of epics that Hollywood rarely makes anymore, especially in an era when franchises, not movie stars, sell tickets.
هذه القصة مأخوذة من طبعة June 12, 2023 من Time.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 12, 2023 من Time.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
