Every scene you frame up presents you with a vast array of choices. From focal length to focus point, and from depth of field to motion, your brain will be busy filtering through all the different permutations to arrive at the desired result. Unlike these choices, we usually accept the colours presented to us as they stand. But it doesn’t have to be this way. There’s a certain purist streak that tells us if we manipulate colours, we’re no longer indulging in photography, but have taken a detour into the world of ‘digital art’. But if you’re happy to slot in different-coloured backdrops for a still-life or portrait, what’s wrong with changing any other colour to capture your idea?
In Photoshop, manipulating colour is a relatively easy process. Provided you can make an accurate selection of the item you want to change, all it requires is a Hue/ Saturation Adjustment Layer. This gives you access to the HSL controls, where you can change the colour (Hue), its intensity (Saturation) and its brightness (Luminance) to mix up pretty much anything you like.
With this technique nailed, you can use it in subtle ways to restrict your colour palette, or you can be really bold and create arresting pics that subvert the norms the viewer expects. Whether you want to change the eye colour of a model to match their clothing or turn fruit into its opposite colour to grab attention, this technique will show you how.
هذه القصة مأخوذة من طبعة August 2020 من Digital Camera World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة August 2020 من Digital Camera World.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Walter Moser on Gregory Crewdson
US photographer Gregory Crewdson is famous for his cinematic images. After a recent exhibition of his work, Steve Fairclough discovers more about his career
DJI Neo
Can this 'follow-me' drone be all things to all people without compromise?
Sony FE 85mm F1.4 GM II
With some desirable updates, this lens aims to build on the success of the original version.
Lumix S 14-28mm F4-5.6 Macro
A modest zoom range and maximum aperture at a modest price
Ricoh GR III HDF
The 'classic' Ricoh GR III now features a Highlight Diffusion Filter
Lumix GH7
New and improved AF make this one of the best hybrids around
Scanning ahead...
With Chinese brands on the rise, Jon Devo considers the effect on the imaging industry.
Behind the lens
SERGEY GORSHKOV Wildlife photographer
CAMERA CLINIC - Master the art of modern photography
This month: Capturing the coast Let's side-step the autumnal colourful spectacular and head to the seaside
MASTER THE MAGIC OF MACRO
Shoot tiny details close-up and hone in on incredible details hidden to the naked eye. Professional photographer Dan Mold is your guide...