FOR THESE IMAGES, I USED A PROFOTO (D2 + D1) 3-4 LIGHT SET UP. FOR THE KEY LIGHT, I USED THE OCF BEAUTY DISH CAMERA RIGHT OF THE SUBJECT. FOR THE RIM LIGHTS, I USED GRIDS AND COLORES GELS AIMED AT EACH SIDE OF THE SUBJECT . FOR THE BELOW IMAGE, I ADDED A GELLED FILL LIGHT IN FRONT OF THE SUBJECT.
هذه القصة مأخوذة من طبعة September 2021 من Lens Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة September 2021 من Lens Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
IN THE SHIPYARDS OF DHAKA
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Aga Szydlik INDIA
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I retrieved the idea of nature closely linked to the field of human feelings.
The Extreme Macro Photography of Bees
AN INTERVIEW SAM WITH, DROEGE
JEAN KAROTKIN GYMNOPEDIES
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BUTTERFLIES IN LOVE WITH FLOWERS
I sometimes think Chinese art is not fully appreciated in the West. I was exposed to it growing up in Australia, although my fascination was more with calligraphy.
Lissa Hahn:
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AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA
Elena Paraskeva is an internationally acclaimed, award-winning Conceptual Photographer and Art Director and, most recently, an official ADOBE instructor.
From a Living Hell to Heaven on Earth: the Inhumanity and Humanity of Humans
In a remote area of western Wisconsin, dogs and cats who otherwise would have ended up on death row are given a reprieve. They can now live out their lives in peace and comfort and with companionship at Home for Life (HFL), which was not afforded them outside the sanctuary's gates.
The Art of DISAPPEARING
In the classical proposal, indigenous people are usually the topic of discussion, but rarely do they have a hand in shaping it.