Get To Grips With Colour Space
N-Photo: the Nikon magazine|August 2017

George cairns explains how to identify and correct unprintable colours so that the printed version looks similar to what you see on screen

George Cairns
Get To Grips With Colour Space

We processed the colours and tones in the landscape photograph shown below to reveal more detail in the image and create more attractive vibrant looking colours. However, after processing a photo to look good on screen, it can then be frustrating to end up with a print that looks less bright and vibrant than the digital version of the photo.

Your printer may struggle to reproduce the processed picture’s colour accurately. This is because computer displays produce millions of colours by mixing reds, greens and blues (RGB) together, while most domestic printers combine cyan, magenta, yellow and black (CMYK) to create a narrower range of colours. Colours that can’t be printed are referred to as ‘out of gamut’ colours. The image on your monitor is also brightly illuminated, leading to vibrant colours that can look comparatively drab on paper.

هذه القصة مأخوذة من طبعة August 2017 من N-Photo: the Nikon magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة August 2017 من N-Photo: the Nikon magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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