Master Edgy Lighting
N-Photo: the Nikon magazine|August 2017

Create a portrait that looks processed without the processing. Jason Parnell-Brookes ditches the computer in favour of using coloured lights to capture the effect in-camera

Jason Parnell-Brookes
Master Edgy Lighting

With the advent of popular smartphone apps like Instagram and Hipstamatic, image processing is now commonplace. Whether it’s clicking a single filter on your phone, or adjusting curves and levels sliders in Photoshop, fiddling with the colours can have a dramatic effect on the feel of an image.

Limiting the tonal range and colour palette of an image in this way is great, but we reckon it’s more satisfying to create similar effects straight out of the camera. All we need are two flashguns placed either side of a model, with some coloured gels placed in front of the lights. With a bit of clever placement we can separate the light that falls on our model’s face to mimic the processed effect.

هذه القصة مأخوذة من طبعة August 2017 من N-Photo: the Nikon magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة August 2017 من N-Photo: the Nikon magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

المزيد من القصص من N-PHOTO: THE NIKON MAGAZINE مشاهدة الكل
Tamron 28-75mm f/2.8 Di III RXD G2
N-Photo: the Nikon magazine

Tamron 28-75mm f/2.8 Di III RXD G2

The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still

time-read
2 mins  |
Summer 2024
Nikon D500
N-Photo: the Nikon magazine

Nikon D500

Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled

time-read
1 min  |
Summer 2024
Laurence Griffiths
N-Photo: the Nikon magazine

Laurence Griffiths

With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...

time-read
10 mins  |
Summer 2024
Ghost town
N-Photo: the Nikon magazine

Ghost town

Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities

time-read
2 mins  |
Summer 2024
Creative cities
N-Photo: the Nikon magazine

Creative cities

Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights

time-read
2 mins  |
Summer 2024
If at first you don't succeed...
N-Photo: the Nikon magazine

If at first you don't succeed...

Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance

time-read
3 mins  |
Summer 2024
Shoot the summer of sports
N-Photo: the Nikon magazine

Shoot the summer of sports

Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots

time-read
10+ mins  |
Summer 2024
Osprey & prey
N-Photo: the Nikon magazine

Osprey & prey

Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide

time-read
8 mins  |
Summer 2024
Superzoom lenses
N-Photo: the Nikon magazine

Superzoom lenses

These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes

time-read
5 mins  |
Summer 2024
Nikon Z 6III
N-Photo: the Nikon magazine

Nikon Z 6III

With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body

time-read
8 mins  |
Summer 2024