Out In The Midday Sun
N-Photo: the Nikon magazine|December 2019
It may not always be your biggest ally, but sometimes the sun can present photographers with unique opportunities
Michael Freeman
Out In The Midday Sun

Director David Lynch says that not only is full-on cinematic lighting not essential for filmmaking but that having to make do and improvise leads you in new and potentially creative directions. Yes, it’s a riff on that old idea ‘turn a problem into an opportunity’, but don’t be lulled into thinking that, just because it sounds like a cliché from a self-help manual, it isn’t worth listening to. The quality of lighting plays such a crucial part in photography for most (with the exception of the contemporary art aesthetic of deadpan-and-proud-of-it) that it often takes centre stage. Quite a few of my previous Creative Paths have featured lighting as the main event, such as Life in the Shadows (N-Photo 82), Create a Look (N-Photo 79), and even The Why of Processing (N-Photo 65).

هذه القصة مأخوذة من طبعة December 2019 من N-Photo: the Nikon magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

هذه القصة مأخوذة من طبعة December 2019 من N-Photo: the Nikon magazine.

ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.

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