Luminosity masking is a technique that allows you to zero in on different parts of the tonal range - or different ranges of luminosity - in order to adjust and enhance areas of your photos. It's especially useful for landscape editing, as landscapes often have an imbalance between bright areas like skies and darker areas like a foreground in shade. As such, we can target brighter pixels and claw back detail, then go on to boost shadows or different colour ranges in the scene. Here, for example, it allows us to pull back the overly bright sky, tone down the strong blues in the water, and boost the greens in the grass.
Best of all, these tonal adjustments can be made in a few seconds, without the need to paint fiddly masks. Instead, we make use of the luminosity information within the image to create our masks. As such, we can simply load the luminosity of the image with a simple keyboard shortcut to immediately target the brighter areas, then begin enhancing them without affecting the darker tones. Of course, we can invert the selection if we want to work on the darker details.
To take the technique one step further, we can also delve into the three channels that make up our photo - red, green, and blue then load the luminosity of different channels to zero in on colours in our photos. Here it allows us to boost the greens with ease. And because each edit we make is on a separate adjustment layer, we can finetune the overall strength of the effect at any time.
هذه القصة مأخوذة من طبعة July 2022 من N-Photo: the Nikon magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 2022 من N-Photo: the Nikon magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
Tamron 28-75mm f/2.8 Di III RXD G2
The original version broke the mould for ‘trinity' standard zooms. The G2 enhances handling and performance further still
Nikon D500
Nikon's flagship DX-format DSLR is a modern classic. And while it hasn't been out of production for long, it left a hole in Nikon's camera line-up that's never been filled
Laurence Griffiths
With so much sporting action this summer, Laurence Griffiths of Getty Images reveals how to catch every goal at the Euros, details Getty Images' 24/7 Olympics coverage and why he always has a wide-angle ready. Keith Wilson managed to grab him before kick-off...
Ghost town
Adam Waring uses ND filters to subdue the hustle and bustle when shooting busy cities
Creative cities
Experienced travel photographer Matt Higgs provides top tips for stunning shots of city sights
If at first you don't succeed...
Tom travels to the other side of the world to have another go at shooting an elusive image and displays the power of his perseverance
Shoot the summer of sports
Have the Olympics and Euros inspired you to photograph sport? Mike Harris shows you how to score a portfolio of top shots
Osprey & prey
Birds of a feather Gary Jones and Leigh Pugh photograph ospreys from a purpose-built hide
Superzoom lenses
These lenses will have you in for a long stretch, some more than others in the wide-angle to telephoto stakes
Nikon Z 6III
With a revolutionary 'partially stacked' full-frame sensor, the Z 6III fits flagship camera features in an compact enthusiast-level body