Use a fibre-optic light brush and torch to create colourful portraits
Time needed 45 minutes
Skill level Intermediate
Kit needed
• Tripod
• Torch
• Coloured gels
• Black backdrop
• Fibre-optic light brush
Light painting isn’t a technique you’d normally associate with portraiture, but with a few simple skills you can create fantastically surreal people photos. You don’t need lots of gear for this either, just a tripod, a dark room, a willing subject, and a torch or other light-emitting device you can use to ‘paint’ with.
When it comes to choosing a light source for your painting, there are all sorts of torches, light wands and dedicated tools out there. But one of the most interesting is a fibre-optic brush. This is a technique inspired by the portraits of Gunnar Heilmann, who uses a fibre-optic light brush to incredible effect. The fibres split the beam from a normal torch into lots of tiny points of light that look wonderful when brushed and flicked over the course of a long exposure. We bought our brush from rigu.co.uk for only £25.
Painting with the brush is rather addictive, as you can get a variety of results depending on whether you stroke across the face, dab it onto the skin or shine the light around your subject.
هذه القصة مأخوذة من طبعة January 2022 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة January 2022 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!