Lauren Scott shows you how to create an IR effect with a specialist filter
Here in the digital era, however, the technique is pretty foolproof. In this project, we’ll show you how to take stunning, somewhat eerie, infrared images without having to convert your existing camera.
To a get started, you’ll need a circular IR filter to fit your lens. Once screwed on, this prevents visible light from passing through while allowing IR light to reach the camera sensor. Using an IR filter in practice is simple, but it does still pose some challenges. The filter blocks out visible light, so your exposures will need to be longer to compensate. A stable tripod is vital for avoiding camera shake. As IR filters are inherently very dark, you’ll have to prefocus on the scene before attaching the filter.
To avoid blur, choose subjects that are inanimate – think trees, buildings and landscapes. For the best results, aim to include foliage in your images to break them up.
DSLR TECHNIQUES GET THE GLOW
Don’t overcomplicate your composition! Follow these steps for lovely leaves
01 ON ARRIVAL
You don’t need bright sunlight for the effect, but you should shoot in a location with foliage. Before setting up, mount your Canon on a tripod to avoid camera shake – the IR filter blocks out light and requires longer shutter speeds.
02 ON FRAMING
هذه القصة مأخوذة من طبعة June 2018 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة June 2018 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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