Winter is here and this time of year brings with it some fantastic chances for shooting landscapes as the environment transforms. A blanket of fresh snow can give a scene a completely different look and frozen bodies of water can make for a striking focal point, or add interest to the foreground of your images that you can’t get in warmer seasons.
At this time of the year the sun sits lower in the sky, creating a lovely diffused glow, which is great for photographing landscapes – you essentially get an extended golden hour where the wonderful warm light from the sun as it rises, or sets, for much longer than usual. The old adage less is more is certainly the case here, as although the sun is up for a significantly shorter period, the quality of light is massively improved.
In our big winter landscapes photo guide we have some fantastic top tips for getting the best out of your Canon kit, including the best ways to fend off the cold and keep warm, so you can stay out for longer and avoid missing the perfect moment. We also reveal the best ways to deal with tricky high contrast light encountered at sunrise and sunset, as well as how to edit your winter scenes back at the comfort of your computer.
GET THE GEAR
We run through our top picks of essential photo kit that will make shooting landscapes easier this winter
هذه القصة مأخوذة من طبعة February 2020 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة February 2020 من PhotoPlus : The Canon Magazine.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
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