For a Revealing Portrait, It Can Be Best to Let the Subject Do the Revealing.
THE KILLER WAS AN HOUR LATE, but most of the folks in the audience had had a few drinks and were in a good mood, so nobody minded.
The Killer is Jerry Lee Lewis—if you want the origin story of his nickname, it’s searchable—and on that night in 1975 he was past his rockabilly and rock-and-roll days and into his country music career. Photographer Henry Horenstein was at the Ramada Inn in East Boston on assignment for Country Music magazine to photograph Lewis between sets.
Things don’t go quite according to plan. “Jerry Lee finally arrives,” Horenstein says, “and he sings one song, and then halfway through the second song he stops and says, ‘You either come here to listen to me or you come to talk. You got a choice.’ And he walks out.”
هذه القصة مأخوذة من طبعة March 2017 من Shutterbug.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة March 2017 من Shutterbug.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
“The Pano Rocks!”
THIS ONE SURE DOES, AND FOR MORE REASONS THAN YOU MIGHT EXPECT
Landscapes In Motion
HOW MICHAEL SHAINBLUM CAPTURES HIS TRULY BREATHTAKING IMAGERY
Shooting Stars
PREPARED FOR A METEOR SHOWER, A PHOTOGRAPHER FINDS THE NIGHT HAS A FEW SURPRISES IN STORE.
Shake It Up
EXPLORE CREATIVE TECHNIQUES TO ADD VARIETY TO YOUR PHOTOS.
Life Lessons
HOW INSTAGRAM AND AN IPHONE TURNED A HOBBY INTO A SECOND CAREER
Shutter To Think
EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT CAMERA SHUTTERS BUT WERE AFRAID TO ASK
Monochrome Master
THE BLACK-AND-WHITE MAGIC OF MAX VADUKUL
True Grit
CAPTURING AMERICAN TRADITIONS IN TIMELESS BLACK-AND-WHITE IMAGES.
Treasure Chest
WHAT’S THE REAL ATTRACTION—THE PHONE’S CAMERA OR THE CREATIVITY OF ITS APPS?
Invisible Man
HOW DAVID INGRAHAM TAKES STREET PHOTOGRAPHY BEYOND TRADITION.