Chroma Sub-sampling
If you look at the specifications of video recording in ILCs, you will find that the manufacturers are prominently describing that recording is done using 4:2:2 sampling. Though these numbers look a bit complicated it is an important point, specifying what is called as ‘Chroma Sub-sampling’. In brief this is what it means. A video stream has two components. First is the ‘Luma’ (symbol for this is Y’) and this defines the brightness part. The second is the ‘Chroma’ and conveys the colour information. Separating this way into two components allows more optimal use of resources.
Since the eye is more sensitive to variations in brightness than in colour, more resources are allocated to the former (Y’). This process or more precisely ‘encoding’, where less resolution is given to chroma information compared to brightness, is called ‘Chroma Subsampling’. Pictures 1, 2 and 3 show what this means. Picture 1 shows the Luma part with full resolution, and Picture 2 shows the Chroma component sampled at less resolution. Picture 3 shows how we perceive when both are combined.
هذه القصة مأخوذة من طبعة October 2019 من Smart Photography.
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هذه القصة مأخوذة من طبعة October 2019 من Smart Photography.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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