The quest to make a Gollum game begins with the recognition that nobody wants to be Gollum. In case you haven’t had the pleasure, Gollum is the scurrying, gangrel creature who, in JRR Tolkien’s The Lord Of The Rings, joins Frodo Baggins on his journey to return the powerful One Ring to its fiery birthplace. This comes a few centuries after Gollum, then an amiable bumpkin named Sméagol, murdered his own cousin for possession of the Ring and took it into the mountains, where it slowly mangled his body, shattered his personality and spurred him to all manner of evil. “This is really not a character you want to spend 20 hours with,” Daedalic’s art director Mathias Fischer admits. “So our biggest challenge was to make him a bit more sympathetic, a bit more relatable. Maybe brush over the fact that he’s eaten children.”
If you are familiar with Gollum, it’s probably thanks to Andy Serkis’ frothing, motion-captured performance in Peter Jackson’s film adaptations. But the truth is there are many Gollums, much as there are many renditions of Middle-earth besides the glorious, sweeping antipodean landscapes of Jackson’s movies. “Tolkien didn’t give a size reference for Gollum to begin with,” Fischer notes. “So in the first illustrations, he’s gigantic! He’s like a monster emerging from the swamp.” There’s also the fuzzy green insect you meet in Gene Deitch’s 1966 animation, and the skinny black lizard from 2003’s The Hobbit videogame. Daedalic’s interpretation – whose final design is kept tantalisingly off-limits during our trip to the company’s Hamburg offices – looks like none of these, but nor does it resemble the character’s most famous incarnation.
هذه القصة مأخوذة من طبعة February 2020 من Edge.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة February 2020 من Edge.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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