CHAPTER I
ARLES, FRANCE
THE TUNNEL UNDER THE ROMAN AMPHITHEATER in Arles, France, is dark and cool. The shade is a welcome relief from the blazing Mediterranean sun beating down on the amphitheater’s sand-strewn arena and stone bleachers.
The gladiator helmet I’ve just put on, though, is stifling. A replica of the head protection worn by a Roman gladiator almost 2,000 years ago, the dented, scratched helmet weighs more than 13 pounds—three times as heavy as a football helmet, and far less comfortable. It has a tangy metallic smell, as though I’ve put my head inside a sweaty penny.
Through the bronze grate covering my eyes, I can make out a pair of men in loincloths warming up for a fight. Metal armguards jingle as one bounces on the balls of his feet, his stubby, hooked sword clutched in a leather-gloved hand. As I shift uncomfortably, his partner lifts his sword and offers to hit me in the head, just to demonstrate how solid the helmet is.
I shrug. Anything for a story, right? Then their trainer, a deeply tanned, wiry Frenchman named Brice Lopez, intervenes. “He’s not trained for it,” Lopez says sharply. “He doesn’t have the muscles. You’d snap his neck.”
A former French police officer and combat trainer with a black belt in jujitsu, Lopez knows what a real fight looks like. Twenty-seven years ago he took a detour into ancient fighting styles. After commissioning working replicas of gladiator weapons and armor, he spent years thinking about how they’d be used in a fight to the death like the ones portrayed in countless movies and books about gladiators.
هذه القصة مأخوذة من طبعة June 2021 من National Geographic Magazine India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة June 2021 من National Geographic Magazine India.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول