WE ALWAYS CELEBRATE THE WINNERS – BUT THERE’S SO MUCHMORE TO EVERY RACE. THIS STORY IS ABOUT THE SLOWEST ULTRA-MARATHON RUNNERS FROM AROUND THE WORLD.
Eighteen months ago, Trautman embarked on a personal project aimed at documenting those runners who never see the limelight at these events – those who finish at the back of the field. He called it The Backmarkers Project.
“It quickly became a human condition story, and not a running story,” he says.
Here, Trautman shares some of his favourite backmarker images – and the insights he’s acquired along the way.
How far do you run, and what gear do you use?
I run with the backmarkers from start to finish, and document their journey with one camera and one lens - a 35mm fixed lens, as that’s the closest focal length to the human eye. A real-world perspective.
Why only one lens and one focal length?
I wanted to limit myself creatively, so I’d have to work harder, like the people around me… and secretly, it also means I don’t have to carry more camera gear and lenses!
Why black and white images only?
B&W is reductive; and again, sets a very simple and direct tone.
Are there any other forms of media you use to tell this story?
After the race, I work with a band of writers; together we interview the backmarkers, to better understand the motives behind their running. (If you’re a writer or backmarker and are keen to get involved, let us know, at kelvin@ kelvintrautman.com.) We’re also working on a short documentary.
TENTATIVE STEPS
هذه القصة مأخوذة من طبعة June 2018 من Runner's World SA.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة June 2018 من Runner's World SA.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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