ALEX LIFESON and I are on Zoom, talking about the genre-challenging sounds put forth by his new band, Envy of None. Over the years, Lifeson and I have talked countless times in person and over the phone about the groundbreaking music he's made throughout his long and storied career, whether it be his boundary-stretching guitar work in the legendary Canadian super trio Rush; the creative chances he took with Victor, his first-ever solo project in January 1996; or the just-mentioned Envy of None, a new four-piece collective whose adventurous self-titled debut was just released in April 2022.
During this particular Zoom call, Lifeson is visibly perched in front of an impressive studio wall populated by row after endless row filled with some truly amazing gear. Naturally, I can't help but inquire about one particular guitar I spy that I'm 99.99 percent sure was responsible for one of the most moving sound sequences in the entirety of Rush's recorded C.V., a vaunted canon that spans almost five full decades.
"Yeah, that's my Hentor, the guitar I used for the solo on 'Limelight,”” Lifeson clarifies with a nod and a grin, referring to the cheekily renamed hybrid Fender Stratocaster outfitted with a Floyd Rose vibrato arm. Besides its Envy of None deployment, said Hentor is indeed the guitar that supplied the thoughtful, elegiac solo in "Limelight," one of Rush's signature songs that Lifeson has told me on more than one occasion, "remains my favorite of all the guitar solos I've ever done."
And that's the power of popular music right there, boiled down to a few sentences. Just by Lifeson's namechecking the 1981 song title "Limelight," many of us instantly conjure the vibe, tone, and feelings the song and its subject matter elicit, most especially the character of his emotive, note-sustained, and expertly restrained guitar solo.
هذه القصة مأخوذة من طبعة June - July 2022 من Sound & Vision.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
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هذه القصة مأخوذة من طبعة June - July 2022 من Sound & Vision.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
The Big Clean
Chances are you probably do not think about the state of your electronic devices too often. Oh, you might think about all the upgrades you would like to make; where you would put those new tower speakers, or how a second or third subwoofer would really tame those bass modes in your room, or how much more cinematic a larger screen would be. Sure, you think about that part of your system. But how often do you think about the well-being of your system?
Planar-Magnetic Attraction
THE DIPTYQUE DP 115 speakers are a new model 2-way, ribbon, and planar magnetic driver dipole \"isodynamic\" speaker system designed and built in France.
Full-Featured 4K
THE QN95D is one of two televisions we went hands-on with on a recent trip to Samsung's New Jersey QA Lab, the other being the S95D quantum-dot OLED.
Party Animal
FOR ANY party, the Soundcore Boom 2 Plus Outdoor Bass Bluetooth Speaker is an essential invite.
It's the End of the World. How About Popcorn and a Movie?
Attention all preppers! Today's column is right up your alley-or, more precisely-your tunnel to your underground bunker.
Bridging the Analog-Digital Gap on a Recliner
When I shopped for a motorized recliner, I rejected models with their own Internet Protocol address and built-in speakers. No need. I had already placed a smart speaker on an étagère beside the space where I had planned to put the chair. I'd have a smartphone in my hand and the room would be bathed in Wi-Fi.
BACK TO THE GARDEN
AN AQUARIAN EXPOSITION in WHITE LAKE, N.Y.
Big Sound, Small Price
DOLBY ATMOS, once a costly premium, is enjoying a surge of popularity across a range of new audio gear.
Classic Sound with Streaming Smarts
THE TWENTIETH century had its Roaring Twenties; welcome to the twenty-first's Streaming Twenties.
Stand and Deliver
IT DOESN'T seem all that long ago that SVS first entered the audio scene.
