I ’ve been wrestling with my elders about new ways to measure loudspeakers, lobbying for methods that might collaborate more directly with a listener’s experience. And wouldn’t you know? Right in the middle of this Socratic dialogue, I put the fresh-fromUPS, $1000/pair, Tannoy Revolution XT 6s into my reference system, plunking them down on my 24 Sound Anchor Reference stands in the same spot my Harbeth P3ESRs had been sitting. And I freaked! I was using the Rogue RP-7 preamp and the Rogue Stereo 100 (100Wpc) amplifier, and I could never adequately describe how bad the shiny white Tannoys sounded. Imagine the sound that’s thin, metallic, herky-jerky, dull, and rolled off completely below about 90Hz.
I repeat: rolled off completely below 90Hz.
I tolerated their horridness for about two hours and then considered the possibility that somehow the oldest, most revered British loudspeaker company had mistakenly put some wrong parts in the crossovers. I was getting ready to call Kevin Deal at Upscale Audio (Tannoy’s new importer) and tell him something was wrong. But I decided to wait.
I figured some break-in would help, so I let them mumble and squeal for a few days. They sounded bad the second day too. The third day, while I was out for the afternoon, I forced the XT 6s to play through all the Ry Cooder albums on Tidal.
هذه القصة مأخوذة من طبعة July 2020 من Stereophile.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك ? تسجيل الدخول
هذه القصة مأخوذة من طبعة July 2020 من Stereophile.
ابدأ النسخة التجريبية المجانية من Magzter GOLD لمدة 7 أيام للوصول إلى آلاف القصص المتميزة المنسقة وأكثر من 9,000 مجلة وصحيفة.
بالفعل مشترك? تسجيل الدخول
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